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- Lewitt MTP 840 DM Dynamic Vocal Microphone
Lewitt MTP 840 DM Dynamic Vocal Microphone
Descrizione
Robust, versatile, and uncompromising when it comes to sound, the Lewitt MTP 840 DM is a superb stage tool. This dynamic vocal microphone offers a great transient response and, when used in Active Mode, has been designed to keep noise out of the mix while spanning a wide dynamic range. Plug it in and your live vocals will cut through the mix like a knife through butter.
The Lewitt MTP 840 DM: Character-Packed
The Lewitt MTP 840 DM features a high-quality low-cut filter and three selectable gain settings (0 dB / 6 dB / 12 dB), giving you full control over the low-end of your vocals. In addition, it comes with a built-in phantom-powered amplifier to support enhanced sensitivity and realism, while the super-cardioid pickup pattern keeps feedback to an absolute minimum.
Consigli e osservazioni
- When you buy this item any time between the 30th of October, 2024, up to and including the 10th of January, 2025, you also get the iZotope RX 11 Elements and Native Instruments Melted Vibes plugins for free. All you need to do is register your new Lewitt hardware by making a myLEWITT account on the Lewitt website (if you don't have one already). Once your gear registration has been approved, two codes and links for the plugins will be sent to you, so you can download and activate them, saving you a massive £139!
Specifiche
Caratteristiche
- Interruttore On/Off no
- Sustainable product not specified
- Sensibilità microfono (dB/PA) -49
- Peso del microfono 300 - 349 g
- Impedenza microfono 600 - 649 ohm
- SPL massimo 120 - 129 dB
- Frequenza massima 18 - 18,9 kHz
- Accessori per microfono clip microfono, filtro anti vento, borsa / astuccio
- Set di microfoni no
- Frequenza minima 40 - 49 Hz
- Direttività supercardioide
- Tipo di connettore audio XLR a 3 pin
Peso e dimensioni imballaggio incluso
- Peso (imballaggio incluso) 700 gr
- Dimensioni (imballaggio incluso) 25,0 x 19,5 x 8,5 cm
Specifiche
- Lewitt MTP 840 DM
- dynamic vocal microphone
- polar pattern: super cardioid
- frequency response: 40 Hz - 18 kHz
- sensitivity: 3.5 mV/Pa, -49 dBV/Pa
- dynamic range:
- passive:
- 135 dB
- active:
- 121 dB, 0 dB gain
- 115 dB, 6 dB gain
- 109 dB, 12 dB gain
- passive:
- gain settings: 0 dB, 6 dB, 12 dB
- low-cut filter: linear (150 Hz/ 12 dB, 250 Hz/ 12 dB)
- impedance: 600 Ohms
- supply voltage: 48V (phantom power)
- connection: gold-plated XLR
- microphone weight: 336g
- microphone length: 183mm
- microphone diameter: 51mm
- colour: black
- included:
-
screw thread adapter
-
microphone clip
-
windshield
-
pouch
-
Recensioni
Recensioni da altri paesi
Tradurre tutte le recensioni in Italiano
Pacchetto convenienza
Lewitt MTP 840 DM + Innox IVA 12
- 1 x Lewitt MTP 840 DM Dynamic Vocal Microphone € 198,00
- 1 x Innox IVA 12 stativo microfonico nero € 22,30
Lewitt MTP 840 DM + Voggenreiter 951 Voice Basics
- 1 x Lewitt MTP 840 DM Dynamic Vocal Microphone € 198,00
- 1 x Voggenreiter 951 Voice Basics Book € 4,95
Lewitt MTP 840 DM + Voggenreiter Voice Coaching
- 1 x Lewitt MTP 840 DM Dynamic Vocal Microphone € 198,00
- 1 x Voggenreiter Voice Coaching (English) € 4,95
Unusual usage case: I bought this to feed into an amateur radio transmitter (an Icom 9100, which comes supplied with an 8V fed condenser mic and has a very low 680Ω input impedance) and I used an Art Pro phantom feed to both power the mic and isolate it from the transmitters internal 8V phantom feed. Enabling the 6dB gain option got the level within range of the mic gain control and it all sounded very nice indeed.
A few days later, I added a dbx 286s to add a touch of compression and with that device, I just used the Lewitt mic in passive mode and it all sounded excellent. Pondering the mic activator situation, I then tried it in active mode (both +6dB and +12dB) with the dbx 286s providing phantom power and it didn't make much difference (if anything, I thought passive was better) but remember that we’re talking about a radio with noisy internal circuitry, so the mic activator trick would be pretty pointless.
So, I reverted to passive, had a listen, then just out of sheer curiosity, I again tried the Lewitt active, but this time with its internal preamp set to 0dB. I expected to hear little difference, but to my great surprise there was noticeably more detail and it added a vibrancy to my voice; it made a fabulous sound! I reverted back to passive and by comparison it all sounded 'closed in' and the voice sounded rather lifeless, so active and set to 0dB gain is how it will now remain.
Okay, the amateur radio is a very bandwidth restricted system and for anyone who’s curious, I was using FM mode for the tests (and a separate local receiver – a FT-817 – feeding my Beyerdynamic DT-131 headphones) and even given the system limitations, the difference was really quite obvious and the resultant audio is now first class.
As to speculating on why it made a difference (I’m only using 3m of Mogami Starquad to the dbx) perhaps the dbx has an input impedance of 4.2kΩ and Lewitt's internal preamp has a higher impedance and thus better suits its capsule? I have no idea, but hey, whatever the reason, the results are very good indeed.
It seems a shame to use such a lovely microhone for ham radio, but my goodness it sounds good and with the preamp enabled (and set to 0dB gain) it sounds even better when feeding the dbx. I'd love to hear it in a studio and with someone 'proper' singing into it (not me; I can’t even sing) as I'd expect it would sound pretty amazing.
Briain